The Wizarding Organ
As a special half-term treat on Monday 27 May, Ewa Belmas performs John Williams’ music from the first three ‘Harry Potter’ movies. Advance booking is encouraged, with tickets available from Wednesday 1 May.
Find out moreMay & June 2024 – Before planning your visit, please check our ‘Visitor Notices’ for accessibility updates and one-off changes to opening times. Click here to view.
The Cathedral organ accompanies daily choral services and large-scale special services. It takes centre stage in our weekly Monday lunchtime Organ Recital Series – one of the country’s few examples of a series that continues throughout the entire year.
Every Monday at 1:05pm, the Cathedral hosts organ recitals that are open to all. No pre-booking is required; simply find a seat in the Nave and enjoy. While attendance is free, we encourage those who attend to consider contributing in-person or online to our retiring collection.
Monday 6 May, 1:05pm | Michael Haynes, Hexham Abbey |
Monday 13 May, 1:05pm | Jordan English, St Giles’ Cathedral, Edinburgh |
Monday 20 May, 1:05pm | James Watson, Newcastle Cathedral |
Monday 27 May, 1:05pm | Ewa Belmas, ‘The Music of Harry Potter’ |
Monday 3 June, 1:05pm | Andrew Cantrill-Fenwick, St Georges Jesmond |
Monday 10 June, 1:05pm | Ian Roberts, Newcastle Cathedral |
Monday 17 June, 1:05pm | Kris Thomsett, Newcastle Cathedral |
Monday 24 June, 1:05pm | James Watson, Newcastle Cathedral |
This page is updated by the first recital of the month; please check back soon for June’s music programme and July’s guest organists.
As a special half-term treat on Monday 27 May, Ewa Belmas performs John Williams’ music from the first three ‘Harry Potter’ movies. Advance booking is encouraged, with tickets available from Wednesday 1 May.
Find out moreThe history of Newcastle Cathedral’s organ is rich and diverse. Initially built in 1670 by Renatus Harris with only Great and Choir divisions and 17 stops, the instrument has undergone several transformations. The Harris double-fronted casework remains, with the distinctive east case design now forming the central section of the current transept front. The Harris west front has been repositioned to face east into St George’s Chapel.
Over the years, notable modifications were made, including a rebuild by Snetzler in 1767 and significant work by Wood, Small & Co. of Edinburgh (1814), Bruce (1839), and John Nicholson of Newcastle (1844). Around 1880, Lewis essentially created a new organ, resulting in a substantial four-manual instrument with 58 stops and tubular pneumatic action.
In 1911, just 31 years after we were elevated to Cathedral status, Harrison & Harrison reconstructed the organ in Edwardian style, making further adjustments in 1954. The present state of the instrument results from a significant reordering by Nicholson & Co. (Worcester) in 1981, resulting in a four-manual instrument with seven divisions and 110 stops. Tonally enhanced and featuring substantial upperworks, the organ received a second console (movable, three manuals) in the transept in 1991.
The organ, essentially comprising two distinct entities – the Main Organ (Great, Swell, Chaire, Bombarde, and Pedal) in the North Transept and the Choir Organ (Great, Swell, and Pedal) in the Quire – is complemented by the primary console located adjacent to the Choir organ, in the westernmost bay of the north Quire arcade.
Above: The Choir Organ and a painting of Charles Avison, composer (1709-1770), our most celebrated Organist, who assumed this role in October 1736 and served in it for the rest of his life.